Download PDF The Encyclopedia of Underground Movies: Films from the Fringes of Cinema, by Phil Hall
Download PDF The Encyclopedia of Underground Movies: Films from the Fringes of Cinema, by Phil Hall
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The Encyclopedia of Underground Movies: Films from the Fringes of Cinema, by Phil Hall
Download PDF The Encyclopedia of Underground Movies: Films from the Fringes of Cinema, by Phil Hall
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About the Author
Hall if the author of THe Encyclopedia of Underground Movies, and is a contributing editor for the popular online magazine Film Threat.
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Product details
Paperback: 267 pages
Publisher: Michael Wiese Productions (November 25, 2004)
Language: English
ISBN-10: 0941188957
ISBN-13: 978-0941188951
Product Dimensions:
6.1 x 0.7 x 9.1 inches
Shipping Weight: 1.1 pounds
Average Customer Review:
4.0 out of 5 stars
12 customer reviews
Amazon Best Sellers Rank:
#3,570,014 in Books (See Top 100 in Books)
Phil Hall's great new book on the "FRINGE PEOPLE"! All the facts and fictions behind the true independent movie makers; the ones that aren't financed by fat wallet investors or rich relatives.  These are the loose cannons with a camera who aren't making movies for the mainstream beehives, but pursuing their own vision, albeit often warped.  More eye opening than the first shot of "Un Chein Andelou."
Cinephiles and just plain movie lovers will rejoice over this comprehensive analysis of below-the-radar filmmaking that celebrates everything the mainstream is afraid to acknowledge - innovative, bizarre, wild, wacky, and often visionary material that can only find the light of day in the shadowy world of underground movies.Phil Hall, movie critic, writer and contributing editor of FILM THREAT magazine, offers a perceptive analysis and overview of the independently produced and often micro-budget films and videos that defy mainstream studio standards and rules, and continually break bold new ground in motion picture history. Hall claims that underground cinema has its roots as far back as the silent movie era, and his book literally chronicles such material from then to now. He also suggests that underground cinema is a parallel universe to the motion picture world we know and love, the world of big box-office, blockbusters and mega-profits. This book is your ticket to that universe, so buckle up. It's going to be one wild ride.The book covers every kind of underground movie form, from the artistic renderings of great classics to the lower-brow horror hack-em-ups, and everything in between, as well as interviews with filmmakers and artists on the cutting edge. There are plenty of great black and white photos and lists of movies that best represent the chosen genres, with short descriptions sure to send fans to the video store for more.We also learn the best websites for underground movie viewing, where the great film festivals are, even what to do if you, yes, you, want to make an underground film. This book truly does serve as both a guide book and an encyclopedia, offering just about every kind of advise needed to master the art of the fringe film from the men and women who make them, collect them, and love them.No film collector, writer, movie fan, actor, producer, director or lover of all things out of the norm should be without "The Encyclopedia of Underground Movies." You may never look at a boring, formula, unoriginal, cheesy blockbuster movie the same way again.
In just under a decade, DV (IE1394) has given birth to a generation of new filmmakers (okay, not really film, but that's the point, it's no longer necessary) who've never known Hollywood, never gone to UCLA or NYU, and never raised more money than what it takes to buy a new car.And yet they've generated a whole new genre of outstanding independent films that truly are independent--and veteran film reviewer Phil Hall has about the best overview of their work in this first real decade of indie DV production.From producers with new takes on the Classics of Shakespeare to free-style apostles of Mike Leigh, Hall's take on the new school of movie-makers is a must for any aspiring producer today. He writes easily as a film reviewer, but reveals a discerning eye for the subtle and the grotesque, and there's a lot of both to be mined in the long list of indie producers he profiles.This encyclopedia is also highly recommended for viewers tired of the standard Hollywood fare, who love finding new and off-beat films to watch.
The Encyclopedia of Underground Movies (written by Phil Hall) is beyond a doubt - one of a kind. It is an exceptional take on the genre of underground films. From a filmmaker's stance, it is a realistic approach to the world of independent movies - where lines can get blurred between what actually IS an underground film and what is a Hollywood production parading as "underground". Mr. Hall doesn't waste anytime as he defines the genre right from the get-go in his introduction. For anyone wanting to know where the lines exist between Hollywood or art house productions and the underground cinema look no further than here. From there, the door is opened into the world of underground cinema for us. Using hundreds of movie descriptions and interviews with filmmakers who can't even afford the film they shoot on, Mr. Hall gives us a first-class look into the TRUE independent films of today. We are taken for a ride through various topics that cover the genre: from documentaries and experimental films to the low budget horror films that seem to dominate the underground universe. Aside from the filmmaking aspect, light is also cast on the distribution of these films, from theatrical, to DVD, to even internet broadcasts - no stone is left unturned. Throughout this book, we a given a taste of underground cinema and then pointed in all the right directions as to where we can feast on the movies covered and then some. Extensive lists of top underground films and film festivals are given. And for the militant film fanatic in all of us, website links are printed throughout - giving anyone with the internet complete access to the genre. Mr. Hall takes us so in-depth, that he even highlights the collectors (not just filmmakers and distributors) of underground movies. As I read this book, I couldn't help but smile. As a true independent filmmaker myself, I know very well, how much effort it takes to make a film and how those efforts are soon forgotten when the next multi-million blockbuster opens at the local Cineplex. What we have here is so truly special - a document that guarantees a place for the underground cinema on book shelves for years to come. The films, filmmakers, distributors, and collectors that Mr. Hall opens our eyes to would normally have disappeared into oblivion, but this book gives them all a voice and an identity. The book wraps up with closing advice for up-and-coming underground filmmakers. This is greatly appreciated and needed in a world where inspiration usually takes a back seat to profit. I smile in the thought of how many new gems will be brought into this world after some high-school student with a camera gets inspired by Mr. Hall's words and takes that scary first step into the process of no-budget filmmaking. From that vantage point, The Encyclopedia of Underground Movies proves to be a special and welcomed addition to the world of cinema.
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