Free PDF Shooting the Boh: A Woman's Voyage Down the Wildest River in Borneo, by Tracy Johnston
Free PDF Shooting the Boh: A Woman's Voyage Down the Wildest River in Borneo, by Tracy Johnston
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Shooting the Boh: A Woman's Voyage Down the Wildest River in Borneo, by Tracy Johnston
Free PDF Shooting the Boh: A Woman's Voyage Down the Wildest River in Borneo, by Tracy Johnston
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Amazon.com Review
Some women seek adventure to test their mettle, suck down jolts of adrenaline, and prove they haven't grown old and indolent. In Shooting the Boh, journalist Tracy Johnston identifies other motivations for joining a group scheduled to raft down a previously uncharted section of the Boh river in Borneo. "I am by nature a passive person who likes excitement; a person with no magnificent obsessions who loves to participate in them," she says. And, too, if she agreed to write an article about it, the trip was free. So began an arduous, ill-conceived journey that started with her losing a duffle bag of top-notch river gear and swiftly ran up against treacherous rapids, foot rot, hot flashes, Tarzan-like leeches, clouds of sweat bees, and other nerve-racking flora and fauna. While traversing a section of steamy rain forest, Johnston says, "a quarter of the things I touched had thorns or sharp spines and the rest were covered with ants." She replays the highs and lows of the trip in Technicolor, summing up her fellow travelers and their wild ride in fluid, punchy prose. --Francesca Coltrera
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From Publishers Weekly
This story of a journalist joining an expedition down the Boh River starts out as standard adventure travel fare, but the difference rapidly becomes apparent: this journalist is over 40, her luggage is lost on the flight over and cannot be recovered in time, and the expedition has been planned by a company that takes irresponsibility to a new level. Only when they are already on the river do the participants realize how difficult and dangerous their time together will be. All of them must deal with "insect stress" caused by bees that feast on human sweat, foot fungus, raging rapids, and perhaps an evil river spirit. On top of that, Johnston begins to have menopausal hot flashes and questions whether it is time to give up the thrill of risky journeys. Her descriptions of both natural phenomena and local customs are lyrical: she compares salespeople in an outdoor market to "baby birds, mouths open, arms aflutter." In writing about the seemingly cursed journey, Johnston keeps her chin up and sticks to what she calls "the adventure code of travel: go with the unexpected and make do with what you get." This engrossing and surprisingly upbeat tale accomplishes much more than that. First serial to Cosmopolitan; QPB selection. Copyright 1992 Reed Business Information, Inc.
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Product details
Paperback: 272 pages
Publisher: Vintage; 1st edition (September 1, 1992)
Language: English
ISBN-10: 0679740104
ISBN-13: 978-0679740100
Product Dimensions:
5.2 x 0.6 x 8 inches
Shipping Weight: 8.8 ounces (View shipping rates and policies)
Average Customer Review:
3.6 out of 5 stars
26 customer reviews
Amazon Best Sellers Rank:
#592,322 in Books (See Top 100 in Books)
I had intended to read a chapter or two of this book and ended up reading it in one sitting. It really was an interesting trip, and the descriptions of life in the rain forest are just amazing. The author slips in a fair amount of history of the earlier explorers and travel writers in the area but mostly manages to interleave things enough to keep the pace up.I almost didn't buy the book after reading some of the earlier reviews so I think I'd better address some of their points. There are maybe two pages about the hot flashes (out of 256) and a few mentions -- basically along the line of mentioning her spider bites, bee bites, foot rot, hot flashes, bad back, etc. It's really no big deal, and this is coming from a 30 year old "basic guy".I do think a responsible tour company would have stopped her from going on the trip after the airline lost her luggage instead of assuming she could borrow everything, but then again I think a responsible tour company would have brought a radio (duh) and had some plans as to what would have happened if, say, somebody had broken a leg. This trip could have turned into a real disaster. And while the author was often wasting resources, so was the whole group. They really didn't realize what a mess they were in until they were in deep over their heads.The whole interaction between the tour company (operating without a clue) the guides (competent but following the company line because they need the money) and the tourists (didn't ask the right questions before leaving or during the trip) is pretty fascinating. It's a real argument for independent travel. . . but not to the rain forest!
Although it's been a few years since I read this book, I remember it well. I'm rather surprised by how harshly some reviewers have reacted to the author. I've read quite a few "pure" adventure accounts, and quite a few that are adventure plus deeply thoughtful meditations on life and self. It seems to me that the author's book isn't quite either---and on purpose. While some have found the author annoyingly self-absorbed, I think that's part of the book's point: she's making observations on growing older, on being middle-aged and realizing what she's lost---and perhaps gained---in that process. I'm probably about the same age she is, so maybe it's easier for me to relate to what she's feeling about these things.Her tale apparently first appeared in "Cosmopolitan", not "Outside" or "Sports Illustrated", and that makes her focus on herself and other people like Sylvie and Mike quite understandable. Her description of the monstrously humid rain forest is enough to make me glad I'm reading about it rather than experiencing it first-hand. If you're looking for a straightforward, white-knuckled, "I can bravely cope with anything" book---or one with profound insights into someone's innermost life---"Shooting the Boh" might disappoint. As a personal account of one woman and her trip to Borneo, I enjoyed it.
As an old Sobek River Guide, I found this book to be a refreshingly honest and truthful account of what can happen on a true "adventure travel" expedition. As I have always said, when a real adventure occurs, it's never what you would call a comfortably exciting sensation. But after your first, you can't help but look for more in your life.Thank you so much for writing this book!
Her account of a wild trip down a river in Borneo was entertaining, and a light, pleasant read, but I found much to be annoyed by. The whole trip seemed like a disaster waiting to happen: inexperienced "clients" going down an unfamiliar, unknown river, with insufficient food and supplies. It's just pure luck that they didn't have any serious problems, injuries, or fatalities. I get tired of reading about modern people trying to "get back to nature" and find "adventure" when what they're really doing is risking their own and other's safety.I was also really annoyed by the author's fixation on good looks, her own sense of being "over the hill" at age 40, and her dependence on the others in the outfit. I am only giving this book a 3 because it's fairly well-written, and it's a light entertaining read.
Shooting the Boh is metaphoric. Life is a scary journey, but each participant is lucky to be along for the ride. No matter how scary and dangerous, life is still a wonderful gift. Tracy Johnston expands adventure travel genre to include the journey of life. The plot is woman against nature; woman against the frailty of her own body; and woman against society.The main character is the Boh River, the wildest in Borneo. Johnston describes the sweat bees and the wet humid air so well you can feel it all, even the mildewed shoes. The secondary characters are all the members on the trip (this harkens back to Chaucer's Canterbury Tales).Johnston also details her own lack of preparation, her fears about a weak back and no air mattress, and her awareness that her night sweats are more than a reaction to humidity. She is at the onset of menopause. Yikes. Her fears and dread about her own mortality become a part of her trip.And finally, since this is a group adventure, the social aspect emerges. Woman against society. How to remain connected without compromising authenticity. Johnston looks to her fellow travelers, sizing them up, trying to understand where she fits in. Her portraits of each participant are full of insight and detail. She gives out detail as she perceives it in time, letting the reader go along with her growing understanding. This is tricky to do since these are real people, still alive, who might not agree with her evaluations. She even mentions this, when she notes her sketches are incomplete. She says she has tried to make it as honest as she can. And I think she succeeds.Johnston was hired to write about the Boh River trip. She did this and more. She elevated her account to include real life, and she captured universal themes--the weakness and strength of the human spirit to overcome life's challenges. And finally, she bears witness that the trip was worth it. She felt lucky to be along for the ride.
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