Free PDF Dreamcatcher, by Stephen King
Free PDF Dreamcatcher, by Stephen King
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Dreamcatcher, by Stephen King
Free PDF Dreamcatcher, by Stephen King
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Amazon.com Review
Stephen King fans, rejoice! The bodysnatching-aliens tale Dreamcatcher is his first book in years that slakes our hunger for horror the way he used to. A throwback to It, The Stand, and The Tommyknockers, Dreamcatcher is also an interesting new wrinkle in his fiction. Four boyhood pals in Derry, Maine, get together for a pilgrimage to their favorite deep-woods cabin, Hole in the Wall. The four have been telepathically linked since childhood, thanks to a searing experience involving a Down syndrome neighbor--a human dreamcatcher. They've all got midlife crises: clownish Beav has love problems; the intellectual shrink, Henry, is slowly succumbing to the siren song of suicide; Pete is losing a war with beer; Jonesy has had weird premonitions ever since he got hit by a car. Then comes worse trouble: an old man named McCarthy (a nod to the star of the 1956 film Invasion of the Body Snatchers) turns up at Hole in the Wall. His body is erupting with space aliens resembling furry moray eels: their mouths open to reveal nests of hatpin-like teeth. Poor Pete tries to remove one that just bit his ankle: "Blood flew in splattery fans as Pete tried to shake it off, stippling the snow and the sawdusty tarp and the dead woman's parka. Droplets flew into the fire and hissed like fat in a hot skillet." For all its nicely described mayhem, Dreamcatcher is mostly a psychological drama. Typically, body snatchers turn humans into zombies, but these aliens must share their host's mind, fighting for control. Jonesy is especially vulnerable to invasion, thanks to his hospital bed near-death transformation, but he's also great at messing with the alien's head. While his invading alien, Mr. Gray, is distracted by puppeteering Jonesy's body as he's driving an Arctic Cat through a Maine snowstorm, Jonesy constructs a mental warehouse along the lines of The Memory Palace of Matteo Ricci. Jonesy physically feels as if he's inside a warehouse, locked behind a door with the alien rattling the doorknob and trying to trick him into letting him in. It's creepy from the alien's view, too. As he infiltrates Jonesy, experiencing sugar buzz, endorphins, and emotions for the first time, Jonesy's influence is seeping into the alien: "A terrible thought occurred to Mr. Gray: what if it was his concepts that had no meaning?" King renders the mental fight marvelously, and telepathy is a handy way to make cutting back and forth between the campers' various alien battlefronts crisp and cinematic. The physical naturalism of the Maine setting is matched by the psychological realism of the interior struggle. Deftly, King incorporates the real-life mental horrors of his own near-fatal accident and dramatizes the way drugs tug at your consciousness. Like the Tommyknockers, the aliens are partly symbols of King's (vanquished) cocaine and alcohol addiction. Mainly, though, they're just plain scary. Dreamcatcher is a comeback and an infusion of rich new blood into King's body of work. --Tim Appelo
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From Publishers Weekly
In an author's note to this novel, the first he's written since his near-fatal accident, King allows that he wrote the first draft of the book by hand. So much for the theory that it's word-processing alone that leads to logorrhea. Yet despite its excessive length, the novel one of the most complex thematically and structurally in King's vast output dazzles and grips, if fitfully. In its suspenseful depiction of an alien invasion, it superficially harkens back to King's early work (e.g., the 1980 novella "The Mist"), but it also features the psychological penetration, word-magic and ripe imagination of his recent stuff (particularly Bag of Bones). The action shuttles between present and past, following primarily the tribulations of a band of five males four regular guys from Derry, Maine (setting of King's It and Insomnia), and their special friend, Duddits, a Down's child (then man) with telepathic abilities. The first chunk of the text offers a tour de force of terror bound in darkest humor, depicting the arrival at the four guys' remote hunting cabin of a man who's fatally ill because he harbors in his bowels an alien invader. Yet the ferocious needle-toothed "shit-weasel" that escapes from him is only one of three varieties of invader the protagonists, and eventually a black-ops containment force, face: the others are Grays, classic humanoid aliens, and byrus, a parasitical growth that threatens to overtake life on Earth. The presence of the aliens makes humans telepathic, which leads to various inspired plot complications, but also to an occasional, perhaps necessary, vagueness of narration is there anything more difficult to dramatize than mind-to-mind communication? Numerous flashbacks reveal the roots of the connections among the four guys (one of whom is hit by a car and nearly dies), Duddits and even the aliens, while the last part of the book details a race/chase to save the world a chase that goes on and on and that's further marred by the cartoonlike presence of the head of the black ops force, who's as close to a caricature as King has strayed in several novels. The book has flaws, then, and each of them cries "runaway author." Is anyone editing King these days? But, then, who edited, say, Mahler at his most excessive? The genius shines through in any case, in the images and conceits that blind with brilliance, in the magnificent architecture, in the wide swaths of flat-out riveting reading and, most of all, in the wellsprings of emotions King taps as he plumbs the ties that bind his characters and, by extension, all of us to one another. (One-day laydown, Mar. 20) Forecast: As King's first book-length fiction since the accident, this novel originally titled Cancer will generate particular interest commercially and critically. It may be nominated for awards; it certainly will top the charts. Film rights optioned by Castle Rock. Copyright 2001 Reed Business Information, Inc.
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Product details
Hardcover: 624 pages
Publisher: Scribner; 1st edition (March 20, 2001)
Language: English
ISBN-10: 0743211383
ISBN-13: 978-0743211383
Product Dimensions:
6.8 x 2 x 9.8 inches
Shipping Weight: 2.2 pounds (View shipping rates and policies)
Average Customer Review:
4.0 out of 5 stars
750 customer reviews
Amazon Best Sellers Rank:
#208,857 in Books (See Top 100 in Books)
I didn't think a book with the title "Dreamcatcher" would grab my attention and hold it to the last page. It sounded like fluff, but the story is hard-hitting and it moves at a good pace. The characters are wonderful, interesting, and their bond is what makes "Dreamcatcher" the kind of story I'll be recommending to my family and friends. As far as sexual content, the characters make a few raunchy comments, but there's no actual sex scenes in the book. Believe me, it doesn't need it. Excellent read!
Here's my rating system:1 Star: Hideous2 Star: Waste of time3 Star: Average4 Star: I will refer positively to friends5 Star: I will passionately tell people they NEED to read itIt was decent but developed very slowly and to me there was a lot of confusing parts. I'm not saying it's awful just not a favorite.Minor spoilersSo it's a book about 4 very close friends that go hunting and find themselves in the middle of a bizarre occurrence. They soon find out it is supernatural in origin and it may have some relationship to their pastIt is a touching story of their friendship and their bond to a boy with Down syndrome and how that relationship saves them at the end.The military involvement is interesting and he ways the other being communicate is interfering and humorous.Not at a bad book but for a book that is nearly 1,000 pages I generally expect to be more satisfied
"Some dreams die and fall free, that is another of the world’s bitter truths. How many bitter truths there are."First thing you have to know about this: It's weird. It's really, really damn weird.Second thing: It's not Stephen King's best work. If you're not a King fan, this is not the book to change your mind. In fact, it'll probably just confuse you.But if you ARE a King fan, you'll appreciate King doing what he does best: Weaving incredibly real, visceral, heart-crushing relationships between characters, and focusing on the nitty-gritty, often ugly little things people do and think that make you, reader, feel so human.I don't think I'd call this a good book, or say that I liked it. It felt poorly planned. The flashbacks between childhood and adulthood weren't as seamlessly written as IT's were, and there were far too many boring military chapters that slowed the narrative to an intolerable crawl.However, like pizza and sex, it's still a Stephen King book, so how bad can it really be. It made me laugh, it made me cry, it made me shudder in disgust/horror, and it got me thinking Thinky Thoughts on the nature of humanity. I confess to only reading it to learn more about the expanded universe (mostly for background Derry info to use for fanfiction purposes) but I enjoyed it on its own merit, too.
If you're a fan of King, as I am, this won't disappoint. Very typical King style; building suspense, lots of detail and development of characters and the scenery, flashbacks for perspective (or other, sometimes seemingly non-sensical reasons), and characters with quirks that can make them both endearing and loathsome at the same time.I found the nitty gritty details of the plot to be confusing, but I think that's always the way with a King book. He reveals a lot, but generally not quite enough to really GIVE you the answer as to what just happened. That's part of writing true horror (not jump-out-of-your-seat horror, per se, but true to form horrifying storytelling), not always knowing all the who, what, where, why, and how.All in all, King is a fantastic storyteller, and this book is another example of his well-honed craft.People say that if you can sing well, you can sing anything and make it sound great. Well, I think the same goes for great storytelling. Even though there are some borrowed themes as others have pointed out (borrowed from other sources as well as from his own works), if you are a great storyteller, you will amp it up and make it your own. That's what King does here and I think it works extremely well. I never felt like I was reading a "remake" and never even got that funny "have I read this before?" feeling. The overall themes (alien invasion, body snatching, battling evil to save the world, etc.) are common, but the way King weaves his tale, you never really feel like they are.
The book has a fast pace for a Stephen King 's novel. Characters are very well developed, complex and interesting. The alien intelligence is almost human and not very surprising but it works in terms of building a monster. As in many of his novels everything checks out, all little details are accounted for and come to make sense in the end. Even the cheating student comes back in the end. Thus, this is a good book overall , well crafted.
I first started reading Dreamcatcher as a teenager after reading a couple of other Stephen King novels. I had to put it down after awhile because I found it very hard to follow. 17 years later, I approached it again hoping that I would be able to understand it. Sadly, I was disappointed. By about halfway through the book, I simply had to press the proverbial "I Believe" button and finish the book (I hate not finishing a book once I've started). I will say that the last few chapters of the book are very hard to put down; I read the final third of the book in just a few hours, and that reminded me of classic King. Overall, the book was interesting and engrossing in some parts, but not my favorite King novel.
I really like that Stephen King can keep coming up with quite interesting ideas as time goes on. I think that many things within Dreamcatcher have been used before, but I like also that King uses his own personal twist on a story. A book about long life and long lasting friendships, the power that binds us all, something that we can all relate to and appreciate it. I think Dreamcatcher is different and sometimes leaves elements out that could be explored more, but I thought it was incredibly interesting.
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